{"id":204,"date":"2021-02-23T13:59:49","date_gmt":"2021-02-23T12:59:49","guid":{"rendered":"https:\/\/tfk-berlin.de\/neu\/?page_id=204"},"modified":"2024-10-07T17:59:57","modified_gmt":"2024-10-07T15:59:57","slug":"katharina-foersch","status":"publish","type":"page","link":"https:\/\/tfk-berlin.de\/?page_id=204","title":{"rendered":"Katharina F\u00f6rsch"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"601\" src=\"https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2021\/02\/Katharina.Foersch-1.jpg\" alt=\"\" class=\"wp-image-322\" srcset=\"https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2021\/02\/Katharina.Foersch-1.jpg 400w, https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2021\/02\/Katharina.Foersch-1-200x300.jpg 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Katharina F\u00f6rsch hat sich von hinten an die Bretter, die die Welt bedeuten, angepirscht. Bei einer Anstellung als Kost\u00fcmschneiderin am Theater an der Ruhr wurde sie chronisch mit dem Theatervirus infiziert, und so beschloss sie kurze Zeit sp\u00e4ter, den Platz an der N\u00e4hmaschine gegen das Rampenlicht auszutauschen. Nach einer Schauspielausbildung an der Schauspielschule Charlottenburg f\u00fchrten sie ihre ersten Engagements zun\u00e4chst zur\u00fcck in ihre bayerische Heimat. Seit 2014 lebt Katharina F\u00f6rsch wieder als freischaffende Schauspielerin in Berlin, ist regelm\u00e4\u00dfig Teil des Gef\u00e4ngnistheaterprojekts aufBruch und wirkt in Kindertheaterproduktionen mit.<\/p>\n\n\n\n<p>Theaterproduktionen (Auswahl):<\/p>\n\n\n\n<p>2019<br>Schauspielerin 3 in &#8222;Die Schauspieler&#8220; von Einar Schleef, Regie: Peter Atanassow, aufBruch<\/p>\n\n\n\n<p>2018<br>Marianne in &#8222;Der Raub der Sabinerinnen&#8220; von Franz von Sch\u00f6nthan, Regie: Rolf Heiermann, Theater Schloss Ma\u00dfbach<\/p>\n\n\n\n<p>2017<br>Bambi, Eichh\u00f6rnchen u.a. in &#8222;Bambi&#8220; nach Felix Salten, Regie: Christian Schidlowsky, Theater Schloss Ma\u00dfbach<\/p>\n\n\n\n<p>2016<br>Rachel in &#8222;Ein (Alb-)Traum von Hochzeit&#8220; von Robin Hawdon, Regie: Heinrich Kus, Theater im Palais Erfurt<br>Maria u.a. in &#8222;Glaube Liebe Hoffnung&#8220; von \u00d6d\u00f6n von Horvath, Regie: Peter Atanassow, aufBruch<\/p>\n\n\n\n<p>2014<br>Nicole in &#8222;Oscar&#8220; von Claude Magnier, Regie: Susanne Pfeiffer;<br>Frau Jakob, b\u00f6se Tante u.a. in &#8222;Lippels Traum&#8220; nach Paul Maar, Regie: Christian Schidlowsky, Theater Schloss Ma\u00dfbach<\/p>\n\n\n\n<p>2013<br>Paula Klinke in &#8222;Die spanische Fliege&#8220; von Ernst Bach und Franz Arnold, Regie: Ingo Pfeiffer, Theater Schloss Ma\u00dfbach<\/p>\n\n\n\n<p>2012<br>Ottilie in &#8222;Die Wahlverwandtschaften&#8220; nach J.W. von Goethe, Regie: Rolf Heiermann;<br>Mayumi Selo in &#8222;Die Firma dankt&#8220; von Lutz H\u00fcbner, Regie: Werner M\u00fcller, Theater Schloss Ma\u00dfbach<\/p>\n\n\n\n<p>2011<br>Kareen Stockmann in &#8222;Ein Volksfeind&#8220; von Henrik Ibsen, Regie: Ingo Pfeiffer, Theater Schloss Ma\u00dfbach<br>Marjorie in &#8222;Extremities&#8220; von William Mastrosimone, Regie: J\u00fcrgen Overhoff, Erthaltheater Aschaffenburg<\/p>\n\n\n\n<p><strong>seit 2020 im Ensemble des tfk<\/strong><br>&#8222;Die V\u00f6gel\u201d von Aristophanes, Rolle: Eule \/ Seherin, Regie: Anemone Poland<\/p>\n\n\n\n<p>&#8222;Die Riesen vom Berge&#8220; von Luigi Pirandello, Rolle: Diamante, Regie: Anemone Poland<\/p>\n\n\n\n<p><a href=\"https:\/\/tfk-berlin.de\/neu\/?page_id=153\">Zur \u00dcbersicht<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katharina F\u00f6rsch hat sich von hinten an die Bretter, die die Welt bedeuten, angepirscht. Bei einer Anstellung als Kost\u00fcmschneiderin am Theater an der Ruhr wurde sie chronisch mit dem Theatervirus infiziert, und so beschloss sie kurze Zeit sp\u00e4ter, den Platz an der N\u00e4hmaschine gegen das Rampenlicht auszutauschen. Nach einer Schauspielausbildung an der Schauspielschule Charlottenburg f\u00fchrten [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-204","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=204"}],"version-history":[{"count":11,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/204\/revisions"}],"predecessor-version":[{"id":5729,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/204\/revisions\/5729"}],"wp:attachment":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}