{"id":241,"date":"2021-02-23T14:07:05","date_gmt":"2021-02-23T13:07:05","guid":{"rendered":"https:\/\/tfk-berlin.de\/neu\/?page_id=241"},"modified":"2024-10-07T18:05:00","modified_gmt":"2024-10-07T16:05:00","slug":"gertraud-wahl-deschan","status":"publish","type":"page","link":"https:\/\/tfk-berlin.de\/?page_id=241","title":{"rendered":"Gertraud Wahl-Deschan"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Kost\u00fcmbildnerin u. a. am Thomas-M\u00fcnzer-Theater Eisleben, beim Fernsehen der DDR bzw. dem Deutschen Fernsehfunk, beim Ostdeutschen Rundfunk Brandenburg<\/p>\n\n\n\n

seit 1996 als Kost\u00fcmbildnerin t\u00e4tig f\u00fcr das tfk:
– „Das Orchester“ von Jean Anouilh, Regie: Rudi M\u00fcller-Poland
– „Der Kuhstall“ von Helmut Kayzar, Regie: Hannes K\u00fchl
– „Die Ballade vom gro\u00dfen Makabren“ von M. de Ghelderode, Regie: A. Poland
– „Das blaue Ungeheuer“ von Carlo Gozzi
– „Triumph des Todes“ von Eug\u00e8ne Ionesco
– „Fu\u00dfg\u00e4nger der Luft“ von Eug\u00e8ne Ionesco
– „Leinwandmesser – die Geschichte eines Pferdes“ nach Leo Tolstoi
– „Hunger und Durst“ von Eug\u00e8ne Ionesco
– \u201eJakob oder die Unterwerfung\u201d von Eug\u00e8ne Ionesco
– \u201eIst er gut? Ist er b\u00f6se?\u201d von H. M. Enzensberger nach D. Diderot
– \u201eWolf im Korb\u201d von Roger Vitrac
– \u201eDer Auswanderer\u201d von Georges Schehad\u00e9, tfk
– \u201eEurydike\u201d von Jean Anouilh, tfk
– \u201eSprichw\u00f6rterabend\u201d von Georges Schehad\u00e9, tfk
– \u201eDie verkehrte Welt\u201d von Ludwig Tieck, tfk<\/p>\n\n\n\n

Zur \u00dcbersicht<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kost\u00fcmbildnerin u. a. am Thomas-M\u00fcnzer-Theater Eisleben, beim Fernsehen der DDR bzw. dem Deutschen Fernsehfunk, beim Ostdeutschen Rundfunk Brandenburg seit 1996 als Kost\u00fcmbildnerin t\u00e4tig f\u00fcr das tfk:– „Das Orchester“ von Jean Anouilh, Regie: Rudi M\u00fcller-Poland– „Der Kuhstall“ von Helmut Kayzar, Regie: Hannes K\u00fchl– „Die Ballade vom gro\u00dfen Makabren“ von M. de Ghelderode, Regie: A. Poland– „Das blaue Ungeheuer“ von Carlo […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-241","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=241"}],"version-history":[{"count":4,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/241\/revisions"}],"predecessor-version":[{"id":5737,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/241\/revisions\/5737"}],"wp:attachment":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}