{"id":7030,"date":"2026-02-20T17:49:56","date_gmt":"2026-02-20T16:49:56","guid":{"rendered":"https:\/\/tfk-berlin.de\/?page_id=7030"},"modified":"2026-03-27T20:41:42","modified_gmt":"2026-03-27T19:41:42","slug":"bauchtaenzerin","status":"publish","type":"page","link":"https:\/\/tfk-berlin.de\/?page_id=7030","title":{"rendered":"Baucht\u00e4nzerin"},"content":{"rendered":"\n

Ein Gest\u00e4ndnis. Ein \u00dcberlebensritual.
Performance mit Taies Farzan<\/p>\n\n\n\n

\"\"
Foto: Eren Tekg\u00fcl<\/sup><\/figcaption><\/figure>\n\n\n\n

Eine Frau tanzt inmitten der Blicke, die sie verschlingen. In einer Welt aus Geld und m\u00e4nnlicher Macht wird Sichtbarkeit zur W\u00e4hrung und der K\u00f6rper zur Ware. Weiblichkeit wird hier konstruiert, korrigiert und vermarktet. Ein L\u00e4cheln ist Pflicht, ein Blick ist Zwang. Applaus klingt wie ein Echo von Gewalt.
Diese Solo-Performance verbindet Theater und Ritual mit roher psychologischer Intensit\u00e4t. Sie demontiert den Mythos der \u201eBaucht\u00e4nzerin\u201c und entlarvt die Maschinerie dahinter: das patriarchale System, das erotisiert, konsumiert und verwirft.<\/p>\n\n\n\n

Was bleibt vom innersten Selbst \u00fcbrig, wenn das \u00dcberleben erfordert, die Sprache der Macht zu sprechen \u2013 und wenn der fremde Blick niemals weicht?<\/p>\n\n\n\n

Baucht\u00e4nzerin ist eine Einladung, dem zu lauschen, woran der K\u00f6rper sich
erinnert, und zu hinterfragen, was es bedeutet, hinzusehen.<\/p>\n\n\n\n

\"\"
Foto: Eren Tekg\u00fcl<\/sup><\/figcaption><\/figure>\n\n\n\n

Belly Dancer
A confession. A ritual of survival.
A woman dances inside the gaze that consumes her.
In a world ruled by money, power, and male desire, she learns that visibility is currency and the body is merchandise. Femininity can be shaped, corrected, packaged, and sold. A smile can be imposed. A look can be forced. Applause can feel like violence.
Blending theatre, ritual, and raw psychological intensity, this solo performance dismantles the fantasy of the \u201cbelly dancer\u201d and exposes the machinery beneath it: the patriarchal and capitalist systems that eroticise, consume, and discard.
What happens when survival requires speaking the language of power?
What remains of oneself when the gaze never disappears?
Belly dancer is an invitation to listen to what the body remembers, and to question what it means to look.<\/p>\n\n\n\n

\n\n\n\n

\u06cc\u06a9 \u0627\u0639\u062a\u0631\u0627\u0641<\/em>. <\/em>\u06cc\u06a9 \u0622\u06cc\u06cc\u0646\u0650 \u0628\u0642\u0627<\/em><\/p>\n\n\n\n

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\u0648\u0642\u062a\u06cc \u0628\u0642\u0627 \u0645\u0633\u062a\u0644\u0632\u0645\u0650 \u0633\u062e\u0646 \u06af\u0641\u062a\u0646 \u0628\u0647 \u0632\u0628\u0627\u0646\u0650 \u0642\u062f\u0631\u062a \u0627\u0633\u062a \u0648 \u0622\u0646 \u0646\u06af\u0627\u0647\u0650 \u062e\u06cc\u0631\u0647 \u0647\u0631\u06af\u0632 \u0645\u062d\u0648 \u0646\u0645\u06cc\u200c\u0634\u0648\u062f\u060c \u0686\u0647 \u0627\u0632 \u00ab\u062e\u0648\u06cc\u0634\u062a\u0646\u00bb \u0628\u0627\u0642\u06cc \u0645\u06cc\u200c\u0645\u0627\u0646\u062f\u061f<\/p>\n\n\n\n

\u0631\u0642\u0627\u0635\u0647<\/strong> \u062f\u0639\u0648\u062a\u06cc \u0627\u0633\u062a \u0628\u0631\u0627\u06cc \u06af\u0648\u0634 \u0633\u067e\u0631\u062f\u0646 \u0628\u0647 \u0622\u0646\u0686\u0647 \u0628\u062f\u0646 \u0628\u0647 \u06cc\u0627\u062f \u0645\u06cc\u200c\u0622\u0648\u0631\u062f \u0648 \u0632\u06cc\u0631 \u0633\u0648\u0627\u0644 \u0628\u0631\u062f\u0646\u0650 \u0627\u06cc\u0646 \u0645\u0641\u0647\u0648\u0645 \u06a9\u0647 \u00ab\u0646\u06af\u0627\u0647 \u06a9\u0631\u062f\u0646\u00bb \u0648\u0627\u0642\u0639\u0627\u064b \u0628\u0647 \u0686\u0647 \u0645\u0639\u0646\u0627\u0633\u062a<\/p>\n\n\n\n

\n\n\n\n


Dans\u00f6z<\/strong>
Bir \u0130tiraf. Bir Hayatta Kalma Rit\u00fceli.<\/em><\/p>\n\n\n\n

Kendisini t\u00fcketen bir bak\u0131\u015f\u0131n hapsinde dans eden bir kad\u0131n…<\/p>\n\n\n\n

Paran\u0131n, g\u00fcc\u00fcn ve eril arzunun h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc bir d\u00fcnyada beden bir meta, g\u00f6r\u00fcn\u00fcrl\u00fck bir para birimidir art\u0131k. Di\u015filikse; \u015fekillendirilip paketlenen ve sat\u0131lan bir \u00fcr\u00fcn. Her g\u00fcl\u00fcmseyi\u015f bir emir, her bak\u0131\u015f hayatta kalabilmek i\u00e7in bir zorunluluktur alk\u0131\u015f\u0131n \u015fiddete d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc o ince \u00e7izgide…<\/p>\n\n\n\n

Es spielt: Taies Farzan
Text: Samil Yilmaz
Regie & Choreografie: Candas Bas
Musik: Hakan Sezgin
Regieassistent: Renee Stulz
Lichtdesign: Moritz Meyer
Kost\u00fcm: Rabia Ozcan
Darbuka solo: Arda Aygun<\/p>\n\n\n\n

Eintritt: 20 \u20ac, 15 \u20ac erm\u00e4\u00dfigt, 22 \u20ac Support-Ticket<\/p>\n\n\n\n

SA – 28.03.2026 – 20.00 Uhr
in t\u00fcrkischer Sprache<\/em>
mit deutschen \u00dcbertiteln<\/em><\/p>\n\n\n\n

Karten reservieren<\/a>
Zum Spielplan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ein Gest\u00e4ndnis. Ein \u00dcberlebensritual.Performance mit Taies Farzan Eine Frau tanzt inmitten der Blicke, die sie verschlingen. In einer Welt aus Geld und m\u00e4nnlicher Macht wird Sichtbarkeit zur W\u00e4hrung und der K\u00f6rper zur Ware. Weiblichkeit wird hier konstruiert, korrigiert und vermarktet. Ein L\u00e4cheln ist Pflicht, ein Blick ist Zwang. Applaus klingt wie ein Echo von Gewalt.Diese […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-7030","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7030"}],"version-history":[{"count":7,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7030\/revisions"}],"predecessor-version":[{"id":7180,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7030\/revisions\/7180"}],"wp:attachment":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}