{"id":7309,"date":"2026-06-03T13:19:58","date_gmt":"2026-06-03T11:19:58","guid":{"rendered":"https:\/\/tfk-berlin.de\/?page_id=7309"},"modified":"2026-06-03T13:20:22","modified_gmt":"2026-06-03T11:20:22","slug":"antony-cleopatra-love-is-war","status":"publish","type":"page","link":"https:\/\/tfk-berlin.de\/?page_id=7309","title":{"rendered":"Antony &amp; Cleopatra: Love Is War"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">A reimagined stage production<br>inspired by Shakespeare&#8217;s tragedy<br>Gastspiel<br>Shakespeare Reloaded e.V.<br><em>in englischer Sprache<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3-768x1024.png\" alt=\"\" class=\"wp-image-7310\" srcset=\"https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3-768x1024.png 768w, https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3-225x300.png 225w, https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3-1152x1536.png 1152w, https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3-1536x2048.png 1536w, https:\/\/tfk-berlin.de\/neu\/wp-content\/uploads\/2026\/06\/10.3.png 1728w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What happens when private desire becomes public spectacle?<br>A fast-paced contemporary adaptation of Shakespeare\u2019s tragedy, combining classical text with modern theatrical storytelling. Through confessionals, voiceovers, direct audience address, and stylized staging, the production explores the emotional and political collapse of two people whose love reshapes empires.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At the center are Mark Antony and Cleopatra \u2014 torn between passion, power, reputation, and survival \u2014 while Octavius Caesar quietly builds the future that will replace them. Around them stand loyal followers, political strategists, and wounded witnesses, each struggling to hold onto identity as alliances fall apart.<br>This adaptation focuses on the human side of Shakespeare\u2019s epic: the fear of losing control, the need to be remembered, and the performance people create to survive in public life. The result is intimate, theatrical, emotionally direct, and accessible for contemporary audiences.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A story of love, ambition, and the cost of being watched.<br>Language: English<br>Adapted and directed by Laura Witz<br>Assistant Director: Meg Zrini<br>Stage Design: Zoe Stylios, Joshua Bermejo<br>Costume Design: Natalia S.<br>Lighting &amp; Sound Design: Chris Ward<br>Music: Ornery<br>Featuring an ensemble cast of Shakespeare Reloaded e.V.<br>Antony &amp; Cleopatra: Love is War<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eine moderne B\u00fchnenadaption nach William Shakespeare<br>Was passiert, wenn private Gef\u00fchle zur \u00f6ffentlichen Inszenierung werden?<br>Eine moderne, temporeiche B\u00fchnenfassung von Shakespeares Trag\u00f6die. Klassische Sprache verbindet sich mit heutigen Erz\u00e4hlformen wie Interviews, Voiceovers und direkter Publikumsansprache zu einer emotionalen und politischen Geschichte \u00fcber Macht, Liebe und Kontrollverlust.<br>Im Mittelpunkt stehen Mark Antony und Cleopatra \u2014 zwei Herrscherfiguren zwischen Leidenschaft, \u00f6ffentlichem Druck und pers\u00f6nlichem Untergang \u2014 w\u00e4hrend Octavius Caesar im Hintergrund eine neue Ordnung erschafft. Um sie herum k\u00e4mpfen Vertraute, Strategen und Weggef\u00e4hrten darum, ihren Platz in einer zerfallenden Welt zu behaupten.<br>Die Inszenierung konzentriert sich auf die menschliche Seite des Stoffes: den Wunsch, erinnert zu werden, die Angst vor Bedeutungsverlust und die Rollen, die Menschen spielen, um Macht und N\u00e4he zu erhalten. So entsteht ein direkter, zug\u00e4nglicher und emotionaler Zugang zu Shakespeare.<br>Eine Geschichte \u00fcber Liebe, Ehrgeiz und den Preis \u00f6ffentlicher Aufmerksamkeit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adaption und Regie von Laura Witz<br>Assistenzregie: Meg Zrini<br>B\u00fchne: Zoe Stylios, Joshua Bermejo<br>Kost\u00fcm: Natalia S.<br>Licht- und Sounddesign: Chris Ward<br>Musik: Ornery<br>Mit einem Ensemble von Shakespeare Reloaded e.V.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Homepage: <a href=\"https:\/\/www.shakespeare-reloaded.org\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/www.shakespeare-reloaded.org<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eintritt: 18 \u20ac, erm\u00e4\u00dfigt 12 \u20ac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FR &#8211; 24.07.2026 &#8211; 20.00 Uhr (Premiere)<br>SA &#8211; 25.07.2026 &#8211; 20.00 Uhr<br>SO &#8211; 26.07.2026 &#8211; 20.00 Uhr<br>DO &#8211; 30.07.2026 &#8211; 20.00 Uhr<br>FR &#8211; 31.07.2026 &#8211; 20.00 Uhr<br>SA &#8211; 01.08.2026 &#8211; 20.00 Uhr<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/tfk-berlin.de\/?page_id=43\" title=\"Karten reservieren\">Karten reservieren<\/a><br><a href=\"https:\/\/tfk-berlin.de\/?page_id=10\" title=\"Spielplan\">Zum Spielplan<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A reimagined stage productioninspired by Shakespeare&#8217;s tragedyGastspielShakespeare Reloaded e.V.in englischer Sprache What happens when private desire becomes public spectacle?A fast-paced contemporary adaptation of Shakespeare\u2019s tragedy, combining classical text with modern theatrical storytelling. Through confessionals, voiceovers, direct audience address, and stylized staging, the production explores the emotional and political collapse of two people whose love reshapes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"pgc_sgb_lightbox_settings":"","footnotes":""},"class_list":["post-7309","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7309"}],"version-history":[{"count":1,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7309\/revisions"}],"predecessor-version":[{"id":7311,"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=\/wp\/v2\/pages\/7309\/revisions\/7311"}],"wp:attachment":[{"href":"https:\/\/tfk-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}